Brand: Brick House Classic
Size: Robusto (5” x 50)
Factory: J.C. Newman PENSA, Estelí, Nicaragua
Wrapper: Ecuador Havana Seed
Binder: Nicaraguan
Filler: Nicaragua

All cigars, like the Brick House, were once made with Cuban tobaccos. The Brick House brand has been around since the early days of J.C. Newman Cigar Co. The first-generation Newman that started the company, Julius Caeser, came up with the name.

Prior to his immigration to the United States, J.C. lived in a brick house in Hungary. He and his family lived in a small village where they would all gather in that brick house to eat, drink, and smoke. I imagine that brick house felt like a friendly, brick and mortar cigar shop. J.C. blended this cigar to reflect his times at his brick house: a place for good conversations and memories.

During the great depression, many companies were forced to consolidate brands. This brought about the end of the Brick House cigar. Despite lying dormant for 85 years, Bobby and Eric Newman had not forgotten their grandfather’s notorious brand. They brought back the Brick House and blended it with Cuban seed tobaccos grown in Nicaragua. This not only pays tribute to the Newman family, but it also emulates old school flavors once common in Havana clear cigars that were rolled in Tampa factories. Now made at our PENSA factory, this cigar takes you back to the days of pre-embargo cigars.

PRE-LIGHT

At first glance, the Brick House greets me with an off-white logo on the band, complemented by modernized yet ornate old school detail. The cigar slides right out of the cellophane and the first thing I notice are the oils on the wrapper. It really shines yet has a slight toothy feel to it. The veins are consistently mellow and have good structure. There are no zipper-like veins compromising the construction of the cigar. When I give it a good squeeze, it has a nice give, but there are no holes or pockets. It is made very well with a good triple cap stacked on the top that will clearly handle any variety of cut. I used a classic guillotine cut at a rather shallow depth as is my preference.  The foot of the cigar has hints of spice and hay.  On the cold draw, the wrapper taste delivered a nice fig flavor that was very noticeable with a nice nutty undertone. There was a slight sweetness to the wrapper which was subtle yet savory. I found myself enjoying the entire cold draw experience and was thoroughly intrigued.

SECOND THIRD

During the second third of the cigar, I found the spices to die down a bit and the sweetness from the wrapper crept back into the profile. Dark fruit, nuts, and wood were the most present flavors, but the spice was still a factor. The texture of the smoke was creamy and on the thicker side. After such a spicy beginning I found this transition to be refreshing. The sweetness and smoke texture proved to be a nice contrast to the first third of the cigar. The Brick House burned like a champ. A straight, white, and grey ash held on beautifully with no flakiness. Whenever the burn started to get a little wonky it soon evened itself out with a little rotation. Some of the veins showed through the ash. At the end of the second third my favorite part of this cigar was the foreground. Wood notes and spice died down a bit more and I was able to find the taste of figs to be obvious once more with definite sweetness on the finish. At this time, I decided it was time to part with my old friend, the ash.

In my smoking experience, price has a lot to do with how I judge a cigar. If I pay $20 for a cigar, I hold it to higher standards.

If you are not familiar with Brick House and are reading this review, you will probably be wondering how much of a hit your wallet is going to take. You will be both comforted and surprised to know that the Brick House goes for around $6-$7 I consider this to be a must-have for any humidor and a box purchase makes so much sense. My travel case holds three cigars and one of them is usually a Brick House Robusto. The variation of flavors, construction, burn rate, appearance, and price of this cigar makes me regard it very highly.

At the conclusion of smoking the cigar, I found it to be more medium-bodied with high points that put the strength at medium to full. Even with a 54-ring gauge, I found this cigar to burn incredibly easily and evenly. Usually, a thicker cigar means more margins of error in the burn.

After smoking three Brick House Robustos, all burning consistently for about an hour and fifteen minutes, I can make one final testament to this cigar: the Brick House is constructed much like how J.C.’s family house in Hungary was surely built. This cigar holds up to everything you can throw at it. Just like J.C. Newman as a company, overcoming hurdles and adapting with the times for the past 125 years.

A Note to Retailers:

From the perspective of a retailer, this cigar just makes sense. The guy that comes into your store 5-7 days a week doesn’t smoke $20 cigars. He smokes something in the $6-$8 dollar range. Consistency and bang for your buck is what frequent cigar shop customers are looking for. The Brick House fits the bill on all accounts. I’d also like to note that J.C. Newman usually has at least one Brick House promotion a year. The Man Cave promotion in the past consisted of buying a full box of 25, receiving Brick House accessories, and getting a chance to win either a humidor or ashtray.

Earlier this year, we featured the “Brick House At Your House” promotion to support retailers during the quarantine.

Currently, some shops are offering our 125th anniversary cutter and ashtray set for free when purchasing any box of Brick House.

This brand has been relevant and highly rated for years and I don’t see it going anywhere. More times than I can count, customers walk through the front door and ask, “Do you carry any Brick House”? I couldn’t imagine my time as a retailer without Brick House on the shelves.

About Nikolaos Psilopoulos

Nik has been working on the retail side of the cigar industry for 5 years. The past 3 years his palette has been experienced enough to formally taste and review cigars for your reading pleasure. At El Reloj he is running our factory store and giving tours. He is a Certified Retail Tobacconist with the PCA’s educational resource, Tobacconist University. You can expect him to further his tobacco knowledge with us at J.C. Newman and encourages visitors to ask all the questions that come to mind.

Outside of the world of cigars, you can find him enjoying the great outdoors or participating in dog sports with his Australian Shepherd.

Brand: Cuesta-Rey
Size: Lonsdale (6 1/4” x 42)
Factory: Tabacalera A. Fuente, Dominican Republic
Wrapper: African Cameroon
Binder: Dominican
Filler: Dominican

If you gaze up at the roof of our factory, El Relo,j or drive on I-4 you will see “Home of Cuesta-Rey Cigars” shining bright.

The brand has a rich history that clings tightly to Tampa and the Newman Family. The brand was started in 1884 when Angel LaMadrid Cuesta opened his first factory in Atlanta. A few years later he was joined in business by Peregrino Rey; Cuesta Rey Cigars were born. In 1893 they followed suit and joined the rest of the premium cigar industry in Tampa, gaining access to Cuban tobacco and skilled workers.

J.C. Newman and his son, Stanford Newman moved to Tampa in 1954 and they became very good friends with Karl Cuesta. After J.C. passed away in 1958, Stanford went on to make his first big business decision without his father: he purchased Cuesta-Rey along with a few other brands such as White Heather and La Unica from Karl Cuesta.

In 1961 the Cuban embargo came and devastated the entire industry in Tampa. Many companies threw in the towel because they did not have access to Cuban tobacco anymore. Stanford went to European tobacco auctions and stumbled across the African Cameroon tobacco. This tobacco proved to be comparable to Cuban tobacco and gave it a run for its money. The Cuesta-Rey #95 was already one of the sizes in the brand’s portfolio before the embargo. It was also the first numbered cigar on the market, named after Chanel #5.

After Stanford learned of Cameroon tobacco, it was decided that the #95 would be the first cigar to use the Cameroon wrapper in the United States. This was a revolution amongst an industry that had been cut off from its prime resource, Cuban tobacco. The Cuesta-Rey #95 saved the handmade, premium cigar industry and became the flagship premium cigar for decades after. They were once made here, but after our partnership with the Arturo Fuente Cigar Company and starting in 1991 every Cuesta-Rey is made at Tabacalera A. Fuente in the Dominican Republic. Cuesta-Rey had great marketing behind it which was part of the reason for its success as an international brand. We even had a Cuesta-Rey Cigar Bar at the Tropicana Field in St. Petersburg until a few years ago. This adaptation is just one of many ways the Newman family has overcome adversity over their 125 years in business.

Now, let’s get into the cigar.

PRE-LIGHT

When I look at the cigar the first thing that jumps out at me is the band. It has a clean, simple, vintage look that somehow still works in today’s day and age. Gold and red form the design while a white outline holds everything together. It reminds me of the original Diamond Crown bands. The size is worth noting. You do not see too many true Lonsdale vitolas on the market anymore. It is a size that used to be very popular but with the consumer preference shifting towards larger cigars, it slowly faded away.

After removing the cellophane, I can notice some subtle, smooth veins. There is a good bit of teeth on the wrapper with a decent amount of oils. Overall, the wrapper is a light brown but I can pick up on a faint reddish tint. The wrapper is very uniform and presentable, no imperfections whatsoever. The cigar is firm, with just a little bit of give. I cut it twice with cigar scissors and made a sort of shallow straight cut.

Upon tasting the wrapper I am greeted with a sweet coffee bean flavor with nutty undertones. There is no denying that this is a Cameroon, it carries the characteristics of that tobacco and executes it well. The foot smells a bit like sweet, damp hay.  After pulling some cold air through the cigar I pick up some cedar and brighter spices, like coriander. Every smell and taste on the pre light is very crisp. I get the feeling that this is going to be a smooth and flavorful experience. Maybe it is just my preference, but it is worth noting that this size feels great in the hand. It is best described as comfortable and elegant.

When I grab the torch and toast the foot, there is a nice bouquet of flavor. Sweet earth and coffee with a hint of wood catches my attention. The cigar doesn’t require much ignition due to the 42-ring gauge.

After a few mild puffs it is lit and has a good smoke output.

SECOND THIRD

The second third of the cigar is just as intriguing but changes quite a bit. The cedar and spiciness dissipates. I am getting more coffee, sweet earth, and there is a noticeable hint of hay that crept in. The nuttiness is very prominent.  The smoke turns quite buttery and coats the mouth nicely. The aftertaste is awesome: sweet nutty coffee lingers and kept me looking forward to the next puff.

The ash holds together like a steel pipe. Normally with a cigar of this ring-gauge, the ash falls off after less than an inch. I was able to keep it around until I was tired of looking at it. At this point in the cigar, I appreciate the size delivering a lot of flavor from the wrapper. You cannot really find many thinner cigars with a Cameroon wrapper. The Lonsdale vitola really makes you appreciate the flavor. It is easy to see why this cigar became so popular after the Cuban embargo.

By the end of the second third things start to really kick. The retrohale is smooth but very fulfilling. All the flavors are still present. The spice comes back in gradually. This is a product of the blend, not the cigar getting hot and towards the end. At the end of the second third I would like to note that there are no bitter or acrid tastes to be found.

After smoking, I can see why the Cuesta-Rey #95 was such a monumental release. It truly saved the premium cigar industry. The size and band hit the nerves of nostalgia creating a time machine that brings you back to the days when cigars were 35 cents. At the same time the tobacco utilizes the magic that comes with smoking an African Cameroon Wrapper (ACW). In my opinion, there is no other cigar in our portfolio that has such a rich history. After learning the story of Cuesta-Rey you can develop a personal connection to the cigar which makes it so much more enjoyable. The brand is 136 years old and is still relevant today, which is very rare.

I would say the Newman family made Karl & Angel Cuesta proud when they said they would protect the future of the brand. If you are reading this, I encourage you to enjoy this cigar while sharing its story.

A Note to Retailers:

In my experience on the retail side of the cigar industry, sometimes you need more than the knowledge of tobacco to sell a cigar. Most consumers are not going to know the difference between wrappers, binders, and fillers when you are selling a cigar. Sometimes you need to form a connection. Maybe if your customer wears very fragrant perfume or cologne; you can say “the Cuesta-Rey #95 is named after Chanel #5”.

Maybe they are a baseball fan you can tell them about how we had a Cuesta-Rey Cigar Bar at Tropicana Field.

If someone loves Cameroon tobacco, tell them about how the #95 had the first Cameroon Wrapper on a premium cigar. This cigar has a story that is rich and touches a variety of lifestyles and consumers. Retailers should add this knowledge to your cigar selling arsenal.

About Nikolaos Psilopoulos

Nik has been working on the retail side of the cigar industry for 5 years. The past 3 years his palette has been experienced enough to formally taste and review cigars for your reading pleasure. At El Reloj he is running our factory store and giving tours. He is a Certified Retail Tobacconist with the PCA’s educational resource, Tobacconist University. You can expect him to further his tobacco knowledge with us at J.C. Newman and encourages visitors to ask all the questions that come to mind.

Outside of the world of cigars, you can find him enjoying the great outdoors or participating in dog sports with his Australian Shepherd.

Brand: Brick House Double Connecticut
Size: Short Torp (5 ½” x 52)
Factory: J.C. Newman PENSA, Estelí, Nicaragua
Wrapper: Genuine U.S. Connecticut Shade
Binder: Genuine U.S. Connecticut Broadleaf
Filler: Nicaragua

The Brick House Double Connecticut was the latest addition to Brick House family of cigars. Not many cigars in the $8 price range use a real U.S. Connecticut wrapper. Most of them use a much cheaper, less flavorful Ecuadorian shade-grown wrapper. The Double Connecticut not only uses a genuine Connecticut wrapper but also features a U.S. Connecticut Broadleaf binder, hence the name.

The wrapper on the cigar is pristine, with a nice brownish tan color. The color is a lot darker than an Ecuador shade wrapper and the veins are a lot beefier. The wrapper is silky and has a nice gloss to it. Upon squeezing the cigar, it has a little bit of give while the cap has a little more of a spongey feel. I expect no trouble getting a good draw from this torpedo, which is normally my gripe with any cigar this shape. The foot band has an appealing patriotic look, making this the perfect cigar for any American Holiday. The five stars are indicative of Connecticut, as it was the fifth state to join the union.

I can see a lot of Brick House consumers gravitating towards this cigar on 4th of July.

PRE-LIGHT

Smelling the foot of the cigar is very crisp. Hay, peanuts, and white pepper are the first thing that come to mind. No doubt that the wrapper is delivering the peanut scent when giving the outside of the cigar a good whiff. Cutting the cigar was very clean due to the spongey nature of the tapered cap. The cold draw was consistent with the smell of the foot but added a little more complexity. Peanuts, cedar, and grass were present. The wrapper had a faint sweetness to it and can be described as savory, which is very unlike a shade grown cigar

SECOND THIRD

During the second third of the cigar, I was greeted with a smooth transition into creaminess. The strength mellowed out to light to medium and the smoke coated the mouth nicely. With lingering sweetness, peanuts and white pepper take the stage while a creamy hint of lemongrass finished things off. The burn only required a few small touch ups which was impressive given the decent amount of wind it had to withstand. The ash remained sturdy and never got flaky. I only had to ash it when I felt it was time.

I would like to note the wrapper as a great selling point. I do not see someone walking by this one on the shelf without picking it up, looking at it shine, and admiring the vein structure. With the current surge of Connecticut River Valley tobacco, I see this cigar as a must have due to the price point and complexity. If you want to experience a more flavorful Connecticut, do yourself a favor and light this one up!

A Note to Retailers:
I would like to note the wrapper as a great selling point. I do not see someone walking by this one on the shelf without picking it up, looking at it shine, and admiring the vein structure. With the current surge of Connecticut River Valley tobacco, I see this cigar as a must-have due to the price point and complexity.

About Nikolaos Psilopoulos

Nik has been working on the retail side of the cigar industry for 5 years. The past 3 years his palette has been experienced enough to formally taste and review cigars for your reading pleasure. At El Reloj he is running our factory store and giving tours. He is a Certified Retail Tobacconist with the PCA’s educational resource, Tobacconist University. You can expect him to further his tobacco knowledge with us at J.C. Newman and encourages visitors to ask all the questions that come to mind.

Outside of the world of cigars, you can find him enjoying the great outdoors or participating in dog sports with his Australian Shepherd.